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In their collaborative
effort to produce the first new album, Curtis and MAZ worked
on a daily basis. What emerged from this work will be described in this
chapter.
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As we dive into the archives with you, the following conversation between Curtis and MAZ is quite interesting, since we hear them chat about their work. MAZ: "These are very intimate moments. I feel they are worth sharing, since they reflect the true nature of our work together." The date of this conversation is summer 1999. Since Curtis insisted in taping all the sessions and rehearsals, this unique material has been preserved. |
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At the beginning of June '99, the demos were in a stadium of completion. Curtis suggested to call the musicians he felt fit into the production, in order to investigate their availability. Also Milan from the SingSing Studio, where he had produced the BLUES ROOTS album, was contacted.
Metslawier Recordings After one day of rehearsal with Dino Walcott, Sam Mitchell and Keith Dunn at Curtis' home in Lelystad-Haven, the band moved to Metslawier, Friesland. There they would meet Chicago's own Larry 'Wild' Wrice who joined the crew for a one day recording session. The videos, shot by Annette, show some excerpts from the session. The day's output was 5 songs, not 10 as intended, due to little technical and timeconsuming problems with the sound-check. Consider, the example of Curtis' immense willpower to take the effort of a 3 hour ride to Friesland in order to actively keep working on the project! |
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tracks were produced until early in the morning. One of them is "Get
Away From that Window" [click for excerpt of creation process, with
their wives Ankie and Annette in the background].
Here's the mastered version from the Metslawier Session for you to listen to. One of the simplest, but also most charming tracks on the Double Rainbow Collection Vol.1! Curtis knew that Larry's special drumstyle, which carries the ancient Chicago tradition such as Backbeat, Shuffle or Chruchbeat, in combination with MAZ' piano- and singing style would produce this "NEW BLUES SOUND". Still, there were five other tracks yet to be recorded. MAZ and Curtis insisted to follow up as soon as possible with the sessions, since the ENERGY was so alive and present these days in June. Rob Orlemans was contacted in Tiel and he was generous to cancel some other dates in his studio for the next week. And right in between those days, the Title for the albums was born.... |
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MAZ was working on the preparation for the next session date when he spotted a complete double Rainbow spanning between his and Curtis' house. Ankie was alert enough to hand him the camera to make a photo of the rainbows, which later was processed into the cover of the album. He called Curtis immediately and later showed him the picture. "Well, there's our title for the Album!" Curtis replied hilariously. ![]() |
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The
RoDisc Studio Sessions
Rob Orlemans engineered the next session in Tiel. Curtis stayed in Lelystad, but what a suprise to meet him at the studio in the afternoon! He and Annette had spontaneously decided to come down to Tiel. Meanwhile, MAZ had suggested to work with Larry's bassplayer and guitarplayer for this session, after he listened to the Chicago Blues Busters at 'Piet Hein's' in Loosdrecht. Here are some fine shots from the recording date taken by Irma Ras and Annette McNear-Sieger. The day was very productive, and 9 tracks were cut on a Roland VS1680 . Since the studio was smaller but cozyer, everybody enjoyed the sessions to the max. Only Sam Mitchell was missed while being hindered at Seattle, Washington, so the dobro tracks were overdubbed a week later. |
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![]() ![]() ![]() ![]() ![]() Our next chapters will show the CD Presentation later on in November, the "Wings of the Wind" concerts and much more. But first another close-up on the further work of Curtis and MAZ from summer and autumn 1999. |
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Larry 'Wild' Wrice Doublebass Drums Mr.
Wrice was born and raised on the south side of Chicago where he attended
Corpus Christi Catholic grammar School and Englewood and St. Elizabeth
High Schools. He learned professional dancing at the Sadie Bruce School
of Dance on 54th and Calumet, and later toured with them dancing professionally
for seven years. While in High School, he began playing drums.
Keith
Dunn
Born
in Boston, Massasuchetts USA, in 1966, being too young to be allowed in
bars, he listened to Luther "Georgia Boy"Johnson
standing at the door and saw and heard blues for the first time. He had
previously listened only to James Brown.
Sam Mitchell Slide Guitar, Dobro Sam
was born into a musical family in Liverpool. He started playing
in Folk Clubs in 1966 and through a friend discovered Robert
Johnson. Sam was inspired by his sound and
guitar.
Richie
Patisselano
![]() Richie enjoys a reputation as one of the finest lead guitar players on the scene. He has performed with almost all wellknown artists in Europe, including Jan Akkerman, Curtis Knight and many others. Like Thomas Andersson (bass), he is a member of LWW's "Chicago Blues Busters". His enjoyable and fresh style contributes wonderfully to the overall sound of the CD, especially in combination with Sam Mitchell's original slide and dobro performance. On the official Opening of the Wings Of The Wind Blues Cafe, Richie and the Chicago Blues Busters opened the show in an unforgetable outburst of original Chicago Blues. Thomas
Andersson
![]() Thomas is building his own carrier in the Jazz-world and has released several albums so far. He
has been introduced to the Double Rainbow Production by Larry 'Wild' Wrice,
the bandleader of the CBB.
Bass Dino
started playing bass at the age of 19. He moved to Holland from Suriname
in 1968 and started to achieve his well deserved reputation as one of the
best bass players in Holland.
Slide Guitars Catfish started playing guitar early in life with the family band, led by his grandfather on harmonica and his father on drums. He worked with the “Maloe Melo All-Stars”, and later formed his own “Catfish Bluesband”, playing clubs and festivals all over Europe. With Pat Mears from Austin Texas he performed as a duo. On his own, as a street musician, he worked from Amsterdam, Cologne, London to the French Quarter in New Orleans, USA. He worked as a sideman for Michael de Jong. Nowadays,
after a long period of strictly playing gospel music, he’s back at what
he’s doing best: ‘playing the blues’ with the Double Rainbow Band.
Rob Orlemans Lead Guitar Recording Engineer for "Double Rainbow Vol.1” ![]() Rob enjoys a reputation as one of the finest rockguitar players and frontmen in Holland. Besides his own band "Half Past Midnight", with which he has produced several releases featuring Curtis Knight as vocalist in the 90's ("Mean Green", "On the Road again" a.o.), he is operating his own recording studio. The "Double Rainbow Vol.1 Collection" was cut at his RoDisc Studio in little more than one day. The Midnight's excellent bassist Tenny Tahamata has also contributed to the "Double Rainbow Vol.1 Collection", adding his very special bass style on 'Hop, Skip & Jump' and "Who Are You". Rob is using this studio for moviemusic, commercials, bandrecordings, rehearsalroom for "Half Past Midnight" and for himself together with slideguitar-master Sam Mitchell to freakout on the guitars. Rob Orlemans (lead guitar) and Tenny Tahamata (bass) join the world-first live presentation of 'The New Blues Sound' Double Rainbow Vol.1, on November 21, 1999. Tenny Tahamata Bass Guitar ![]() Tenny has joined the Double Rainbow Band in November 1999. He is also “Half Past Midnight” ‘s long-time bass player. He has toured Europe with Curtis Knight and “Half Past Midnight” in the 1990’s and played many concerts together with Rob Orlemans and other artists. Tenny also joined the “Chicago Blues Busters”, the trio led by Larry ‘Wild’ Wrice, carrying the tradition of the original Chicago Blues Style. He contributed some fine bass lines on several tracks of the “Double Rainbow Volume 1” compilation. Tenny’s extra-ordinary bass style produces a solid foundation for the “New Blues Sound”. |
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