~ DOUBLE RAINBOW ~
 
 
    

In their collaborative effort to produce the first  new album, Curtis and MAZ worked on a daily basis. What emerged from this work will be described in this chapter. 
  
"Almost every morning the nurse would come by" remembers Annette. "MAZ was given the key to our house and Curtis knew he could call him anytime. Whenever possible, MAZ would use the time to sit in the garden with his guitar. Around one o'clock they would come together and see which idea they would work on next." 
 
At the end of an afternoon, MAZ went into his studio to produce a little demo of the new ideas and come back in the evening to resume the work with Curtis 
  
What emerged from these sessions is what HappyDream-Music, the publishing firm that the artists founded later in November, labels the "New Blues Sound." Already during the creation process, Curtis envisioned the set for the recordings, and hand-picked the musicians that he would like to hear perform this New Sound. 
  
  

  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Photo © by Willy Kollen
  
As we dive into the archives with you, the following conversation between Curtis and MAZ is quite interesting, since we hear them chat about their work. MAZ: "These are very intimate moments. I feel they are worth sharing, since they reflect the true nature of our work together." 
 
The date of this conversation is summer 1999. Since Curtis insisted in taping all the sessions and rehearsals, this unique material has been preserved.
 
Conversation
on creation-
process 
(4 min.) 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
1.
Shooting Star 1.
 
 
2.
Shooting Star 2.
 
3.
White Lightning 
  
  
At the beginning of June '99, the demos were in a stadium of completion. Curtis suggested to call the musicians he felt fit into the production, in order to investigate their availability. Also Milan from the SingSing Studio, where he had produced the BLUES ROOTS album, was contacted. 

 
 

  
 
  
  
  
Metslawier Recordings 
  
After one day of rehearsal with Dino Walcott, Sam Mitchell and Keith Dunn at Curtis' home in Lelystad-Haven, the band moved to Metslawier, Friesland. There they would meet Chicago's own Larry 'Wild' Wrice who joined the crew for a one day recording session. 
  
The videos, shot by Annette, show some excerpts from the session. The day's output was 5 songs, not 10 as intended, due to little technical and timeconsuming problems with the sound-check. 
  
Consider, the example of Curtis' immense willpower to take the effort of a 3 hour ride to Friesland in order to actively keep working on the project! 
 
 
 
Five great tracks were produced until early in the morning. One of them is "Get Away From that Window" [click for excerpt of creation process, with their wives Ankie and Annette in the background]. 
  
Here's the mastered version from the Metslawier Session for you to listen to. One of the simplest, but also most charming tracks on the Double Rainbow Collection Vol.1! 
 
Curtis knew that Larry's special drumstyle, which carries the ancient Chicago tradition such as Backbeat, Shuffle or Chruchbeat, in combination with MAZ' piano- and singing style would produce this "NEW BLUES SOUND" 
  
  
Still, there were five other tracks yet to be recorded. MAZ and Curtis insisted to follow up as soon as possible with the sessions, since the ENERGY was so alive and present these days in June. 
  
Rob Orlemans was contacted in Tiel and he was generous to cancel some other dates in his studio for the next week. And right in between those days, the Title for the albums was born.... 
 
 
 
"Get Away From
That Window"
Metslawier
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Double Rainbows 
  
MAZ was working on the preparation for the next session date when he spotted a complete double Rainbow spanning between his and Curtis' house. Ankie was alert enough to hand him the camera to make a photo of the rainbows, which later was processed into the cover of the album. 
  
He called Curtis immediately and later showed him the picture. "Well, there's our title for the Album!" Curtis replied hilariously. 
  
 The Double Rainbow 
Ringdijk - Zijpe Lelystad-Haven
June 1999
Photo © by MAZ
 
 
 
 
The RoDisc Studio Sessions 
  
Rob Orlemans engineered the next session in Tiel. Curtis stayed in Lelystad, but what a suprise to meet him at the studio in the afternoon! He and Annette had spontaneously decided to come down to Tiel.  
  
Meanwhile, MAZ had suggested to work with Larry's bassplayer and guitarplayer for this session, after he  listened to the Chicago Blues Busters at 'Piet Hein's' in Loosdrecht. 
  
Here are some fine shots from the recording date taken by Irma Ras and Annette McNear-Sieger. The day was very productive, and 9 tracks were cut on a Roland VS1680 . Since the studio was smaller but cozyer, everybody enjoyed the sessions to the max. Only Sam Mitchell was missed while being hindered at Seattle, Washington, so the dobro tracks were overdubbed a week later. 
 
 
 
Curtis Knight at the Ro-Disc Studio june 1999
 
"Watch the dynamics!..."
 
Larry Wild Wrice June 1999 RoDisc Session
 
 
MAZ June 1999 RoDisc Session
 
 
Curtis and Keith Dunn, June 1999 RoDisc Session
 
 
Thomas Andersson June 1999 RoDisc Session
 
Photo's  © by Annette McNear-Sieger
 
 
Want to listen to some of the tracks? We've made a compilation right here for you. Clicking on the audio buttons lets you enjoy some of the Double Rainbow Collections. 
  
Our next chapters will show the CD Presentation later on in November, the "Wings of the Wind" concerts and much more. But first another close-up on the further work of Curtis and MAZ from summer and autumn 1999.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
"Shooting Star"
 
 
 
"No Way Hosé"
 
 
 
"White Lightning"
Introduction  | Diamond in a rough  |  Writings on the wall  |  Friends  |  Double Rainbow   |  Brothers&Sisters    |  Working is Energy  | 
Index  |   Disclaimer  | 
 
©2000 Curtis Knight Foundation 
©HappyDream-Music Publ. 
E-Sound Publ.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Performing Double Rainbow A®tists
 
[* performing on Metslawier Session]
 
 
 | Larry 'Wild' Wrice* |  Sam Mitchell* |
 
Richie Patisselano   |  Thomas Andersson  | 
 
 |  Keith Dunn * |   Dino Walcott* | 
 
Marc "Catfish" Zijlma  | Tenny Tahamata  | 
 
Rob Orlemans
  
  
  
 
Back to Metslawier Session 
 
 
 
 
 
 
 
 
 
 
 
 
    
   
Larry 'Wild' Wrice    
Doublebass Drums   

Mr. Wrice was born and raised on the south side of Chicago where he attended Corpus Christi Catholic grammar School and Englewood and St. Elizabeth High Schools. He learned professional dancing at the Sadie Bruce School of Dance on 54th and Calumet, and later toured with them dancing professionally for seven years. While in High School, he began playing drums.   
   
A young man named Wilber Campbell introduced him to the George L. Giles American Legion Post. There he played precision drums and became the Drum Sgt. In their first year of competition, they became the First Black Core to ever win both State and National competitions in the same year. He served four years in the United States Navy including a year in the Navy band aboard the battleship USS Iowa. After his honorable discharge, he formed his own band. They were very popular on both the north and south sides of Chicago. Gaining onstage experience with a big-band sound, the band left Chicago and were very successful on the road playing with many top names from the Regal and the Apollo theater.   
   
He later joined the great Lionel Hampton Big Band and toured the U.S. It was in 1953 that he met Ruth Jones, better known as Dinah Washington and became one of her many husbands. Larry 'Wild' Wrice, as he is affectionately called in the business has played for some of the greats in showbusiness. Some of those names include: Nancy Wilson, Billie Holiday, Carmen McRae, Teddy Wilson Trio, Sarah Vaughn, Quincy Jones, Count Basie, studiodrummer for the Motown Record Corp., Curtis Knight and BB King 
  
Larry has settled down in Holland, recently joining the "HappyDream-Music" Productions. Larry's famous and unique Double-bass drumsound forms an essential part of the New  Blues Sound, presented on the "Double Rainbow Vol.1 Collection". His former bassplayer of the "Chicago Blues Busters", Thomas Andersson from Norway, contributed some fine basslines on the CD.   
   

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
   

Keith Dunn   
Harmonicas   
   

Born in Boston, Massasuchetts USA, in 1966, being too young to be allowed in bars, he listened to Luther "Georgia Boy"Johnson standing at the door and saw and heard blues for the first time. He had previously listened only to James Brown.   
   
In 1967 Keith bought his first harmonica and with growing interest and an insatiable appetite for the blues, attended many concerts including B.B King, Buddy Guy and Junior Wells, Howling Wolf, Jokes Cotton, T Bone Walker, also a solo performance by John Lee Hooker  
   
Keith enjoyed a very successful career in his own right. Later on Keith meets harmonica great Big Walter Hornton. Keith has continued playing since 1967 and brings to this CD all of his vast knowledge and experience, but most of all, you will hear his soulful heartfelt playing as he adds his magic touch.   
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
  
   
   
   
Sam Mitchell   
Slide Guitar, Dobro   
   
 

Sam was born into a musical family in  Liverpool.  He started playing in Folk Clubs in 1966 and through a friend discovered Robert Johnson. Sam was inspired by his sound and guitar.   
   
Long John Baldry saw him playing in a wellknown folk club. Sam made internationally famous gold recordings with them and many other superstars, such as The Rolling Stones, Alexis Korner, Jim Capaldi, Marc Bolan, ChrisJagger, Mississippi Fred McDowell, Arthur Cruddrup and many other wellknown personalities, too numerous to mention.   
   
Indeed he exhibits on this CD his knowledge and expertise on the slide and dobro. He produces some incredible sounds that take you from the beginning of slide and dobro guitar popularity something new and fresh.  
 

   
 
 
 
 
 
 
 
 
 
 
 
 
  
   
   

Richie Patisselano   
Lead Guitar 
  

 
 
  
Richie enjoys a reputation as one of the finest lead guitar players on the scene. He has performed with almost all wellknown artists in Europe, including Jan Akkerman, Curtis Knight and many others. Like Thomas Andersson (bass), he is a member of LWW's "Chicago Blues Busters" 
  
His enjoyable and fresh style contributes wonderfully to the overall sound of the CD, especially in combination with Sam Mitchell's original slide and dobro performance.  
  
On the official Opening of the Wings Of The Wind Blues Cafe, Richie and the Chicago Blues Busters opened the show in an unforgetable outburst of original Chicago Blues. 
    
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  

Thomas Andersson  
Bass Guitar 
  
  

 
 
Thomas from Norway has been known as the "Chicago Blues Busters" upright bass player for years. His driving and sometimes jazzy bass lines add something special to the rythm section on several titels of the CD.  
  
Thomas is building his own carrier in the Jazz-world and has released several albums so far.  

He has been introduced to the Double Rainbow Production by Larry 'Wild' Wrice, the bandleader of the CBB.  
  
  

 
  
  
 
 
 
 
 
 
 
 
 
 
 

   

 
 
 
Dino Walcott    
Bass   
   

Dino started playing bass at the age of 19. He moved to Holland from Suriname in 1968 and started to achieve his well deserved reputation as one of the best bass players in Holland.   
   
Dino was Jan Akkerman's long-time bassist and has had stints with Candy Dulfer, White Snake and many other wellknown personalities. Dino's driving bass line on 'Get away from that window' and his articulate playing help make this CD something special. Future releases of the coming Volumes will feature him with more original recordings during this project.  
   
 

 
 
 
 
 
 
 
 
 
 
 
 
Marc "Catfish" Zijlma   
Slide Guitars 
 
 

Catfish started playing guitar early in life with the family band, led by his grandfather on harmonica and his father on drums. 

He worked with the “Maloe Melo All-Stars”, and later formed his own “Catfish Bluesband”, playing clubs and festivals all over Europe. With Pat Mears from Austin Texas he performed as a duo. 

On his own, as a street musician, he worked from Amsterdam, Cologne, London to the French Quarter in New Orleans, USA.  

He worked as a sideman for Michael de Jong.  

Nowadays, after a long period of strictly playing gospel music, he’s back at what he’s doing best: ‘playing the blues’ with the Double Rainbow  Band.    
  
  

 
 
 
 
 
 
 
 
 
 
 
 
  
   
   
   
Rob Orlemans   
Lead Guitar   
Recording Engineer for "Double Rainbow Vol.1”   
   
 
   
Rob enjoys a reputation as one of the finest rockguitar players and frontmen in Holland. Besides his own band "Half Past Midnight", with which he has produced several releases featuring Curtis Knight as vocalist in the 90's ("Mean Green", "On the Road again" a.o.), he is operating his own recording studio.   
   
The "Double Rainbow Vol.1 Collection"  was cut at his RoDisc Studio in little more than one day. The Midnight's excellent bassist Tenny Tahamata has also contributed to the "Double Rainbow Vol.1 Collection", adding his very special bass style on 'Hop, Skip & Jump' and "Who Are You".   
   
Rob is using this studio for moviemusic, commercials, bandrecordings, rehearsalroom for "Half Past Midnight" and for himself together with slideguitar-master Sam Mitchell to freakout on the guitars. Rob Orlemans (lead guitar) and Tenny Tahamata (bass) join the world-first live presentation of 'The New Blues Sound' Double Rainbow Vol.1, on November 21, 1999.  
 
 
 
  
 
 
 
 
  
 
 
Tenny Tahamata  
Bass Guitar 
 

Tenny has joined the Double Rainbow Band in November 1999. He is also  “Half Past Midnight” ‘s long-time bass player. He has toured Europe with Curtis Knight and “Half Past Midnight” in the 1990’s  and played many concerts together with Rob Orlemans and other artists. 

Tenny also joined the “Chicago Blues Busters”, the trio led by Larry ‘Wild’ Wrice, carrying the tradition of the original  Chicago Blues Style. 

He contributed some fine bass lines on several tracks of the “Double Rainbow Volume 1” compilation. Tenny’s extra-ordinary bass style produces a solid foundation for the “New  Blues Sound”. 

 
 
 
   
 
 
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Introduction  | Diamond in a rough  |   Writings on the wall  |  Friends  |  Double Rainbow   |  Brothers&S isters    |  Working is Energy  | 
Index  |   Disclaimer  | 
 
©2000 Curtis Knight Foundation 
©HappyDream-Music Publ. 
E-Sound Publ.